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・ Adriana Hunter
・ Adriana Hölszky
・ Adriana Iliescu
・ Adriana Innocenti
・ Adriana Jiménez
・ Adriana Johanna Haanen
・ Adriana Jones
・ Adriana Kaegi
・ Adriana Kostiw
・ Adriana Krnáčová
・ Adriana Kugler
・ Adriana Kučerová
・ Adriana La Cerva
・ Adriana Lamar
・ Adriana Lavat
Adriana Lecouvreur
・ Adriana Lecouvreur (film)
・ Adriana Leon
・ Adriana Lessa
・ Adriana Lestido
・ Adriana Lima
・ Adriana Lisboa
・ Adriana Live! Tour
・ Adriana Louvier
・ Adriana Lovera
・ Adriana López Moreno
・ Adriana Maas
・ Adriana Maggs
・ Adriana Maliponte
・ Adriana Maraž


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Adriana Lecouvreur : ウィキペディア英語版
Adriana Lecouvreur

''Adriana Lecouvreur'' is an opera in four acts by Francesco Cilea to an Italian libretto by Arturo Colautti, based on the 1849 play ''Adrienne Lecouvreur'' by Eugène Scribe and Ernest Legouvé. It was first performed on 6 November 1902 in Milan.
==Background==
The same play by Scribe and Legouvé which served as a basis for Cilea's librettists was also used by at least three different librettists for operas carrying exactly the same name, ''Adriana Lecouvreur'', and created by three different composers. The first was an opera in three acts by Tommaso Benvenuti (premiered in Milan in 1857). The next two were lyric dramas in 4 acts by Edoardo Vera (to a libretto by Achille de Lauzières) which premiered in Lisbon in 1858, and by Ettore Perosio (to an anonymous libretto), premiered in Geneva in 1889. After Cilea created his own ''Adriana'', however, none of those by others were performed anymore and they remain largely unknown today.〔(Full Search in: Almanacco di Gherardo Casaglia of references for all ''Adrianas'' )〕
The opera is based on the life of the French actress Adrienne Lecouvreur (1692–1730). While there are some actual historical figures in the opera, the episode it recounts is largely fictional, its death-by-poisoned violets plot device often signalled as verismo opera's least realistic.〔However, for the reference on how widespread in the 18th century problem of poisoning was one could read the chapter on the "Slow Poisoners" within ''Extraordinary Popular Delusions and the Madness of Crowds'' by Charles Mackay (pp. 565–592).〕 It is often condemned as being among the most confusing texts ever written for the stage, and cuts that have often been made in performance only make the story harder to follow. The running time of a typical modern performance is about 135 minutes (excluding intervals).

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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